導演Marc Forster.
記得2年前看完原文的Perter Pan時，對這本書並沒有太大的好感，因為我當時用成年女性的眼光來評斷男主角的個性：一個只想躲在玩樂世界，不願長大，並到處尋找代替母親的小女生來照顧他，只因為小女生不會像母親那樣的束縛著他，而會和他一起冒險。
看完電影後卻整個改觀：就是因為現實社會的枷鎖和壓力，才使得我們在心境上更應該有想像力；time and tide wait for no man。試想：如果每個孩子都早熟沒有想像力，提早進入成人階段，這個世界將會有多煩悶無趣啊！
Johnny Deep的英國腔和神鬼奇航中那個海盜的語氣真像，只是有禮多了。不過他真是適合這些不按牌理出牌的角色。
George Lucas真是鬼才，二十年後將故事全部交待清楚，除了盛大的冒險之外，也表達出各族群融合及和平的重要。
吊詭的地方是安納金一直被認為是預言中帶來和平的英雄，卻變成投靠敵人的壞人。因為他相信他的妻子會在生產時死去，因而被黑暗勢力利用，一心想習得起死回生的原力。但權力及慾望腐蝕一個人時，其所需的時間會比想像中要短得多了，尤其一個有強大能力的人，若沒有堅定的自制力，對整個社會造成的衝擊也更大。但往往也是越自卑的人，得到權利後的所作所為更為誇張，算是一種心靈的compensation吧！
幸好預言還是實現了，安納金的兒子完成統一大業，難道是因為他喜歡的人是他姐姐，而二人無以為繼的情感使得他專心於英雄大事？
導演Martin Scorses。
李奧納多實在是一位絶佳演員，他所飾演的任何角色均能恰如其分的表達出來，並抹去自己的影子。
對於霍華休斯其人，除了是個有錢人之外，我是對他一點都不瞭解；可是似乎天才總是瘋狂，而在片中除了他的強迫妄想症之外，不受限的想像力和對未前的遠景的實現，是他成功最大的動力。
我們總是自我限制及抱怨時機不好，但是當機會來臨時卻又軟弱不前
。相信自己及放手一搏，有時還真需要點瘋狂。
新的無神論已慢慢在流行，從暢銷書到電影都可一窺此種趨勢
王者天下並不偏袒任何一種宗教，只強調個人的道德品性高尚，自然會受到上天的偏愛；一般人民的福祉安定也高於政治利益的爭奪
但公主造訪男主角時，以有夫之婦之身與之發生關係時，不見男主角有意見；他在耶路撒冷國王提及要將公主另嫁給他時卻拒絕了。可見偷情及奪人妻子的標準的確不一。
2046是一列載滿主角愛情記憶的時光列車，從來沒有碰到對的人，對的地點的對的時間。但在車上出現的人都是主角認真交往的對象嗎？還是只有王菲是他唯一交往正常的人？（不是有夫之婦、賭客或是酒店小姐）
導演王家衛以他一貫的手法成功刻劃出不願被綁住的男性心理，唯一的一個純情男子卻是日本人．．．但也令人省思是否專一的人才能得到最終的愛情？我想，這一理論對男女應都有用
令人難過的傳記電影。導演Julian Schnabel was born in New York.此劇是一位巴西小說家的自傳，從革命成功到共產主義，種種對人民的影響均在本片中表達出來。
在自由國家的我們都應該看這一部電影，才會對現在的生活更珍惜。雖然劇中有同性戀的主題，但所表達的應該是每個人都有表達自己的自由，並追求靈性的提昇。每一位演員都不錯，令人動容。
喜歡男主角在劇中的一句話：作家就算沒在寫作時，也要把自己視在作家。
書比電影好多了。
在書中可以看到狗的成長，許多人為訓練導盲犬所做的努力和人狗之間的感情。可是電影只是在說一個無關緊要的故事，不論對觀眾、演員或是導演只是盡義務而已，至少對我這個把狗當成比其它事情都重要的人，我看不到令人動容的一面。
不過，電影中的狗狗好可愛。
P.S.小小的雞婆一下，問過的人都覺得電影演的沒感情
I was sent to a five-start hotel. That was my life, traveling from one hotel to another every night. In the hotel I found the right room and knocked. A man in white T-shirt and jeans opened the door and looked at me.
Wordlessly he gestured to me to follow him inside to the bed. He looked fifty-something. His head was shaved and his skin was pale. I sat beside him on the bed with my purse still hanging from my shoulder. Still not a word, but he stared at me closely. I felt nervous about the silence and turned my head toward the lamp on the side table. I thought, who is this guy, some kind of weirdo or monk?
After what seemed like five minutes longer, I finally looked back at him. Surprisely, he did not move even a muscle. I asked him if I should take a shower first. He only shrugged.
I stood up, put my purse on the table, entered the bathroom and closed the door. I took a deep breath, stepped into the shower, and my anxiousness flowed with the water down the drain. I rehearsed my usual rules: first, never ask anything about my client; second, just serve him well.
With a towel around my body, I stepped out. He lay on the bed eyeing the ceiling. I undressed him. I touched his member and squeezed it as it swelled, looking carefully for signs of venereal disease, them put a pre-lubricated condom on him. Removing my towel I lay back on the bed. There was no kissing or foreplay. Squatting between my legs, he thrust heavily from start to finish. The light was still on. I could see the sadness in his eyes when he came. Very quiet, no moaning. Then he rolled to the other side of the bed, eyeing the ceiling with a blank face again.
After a moment he took money from the drawer. I counted it–five thousand dollars, more than I had received from any customer before. I hurriedly put my clothes on and gave him my name card. But as I closed the door, I saw him throw it into a waste basket without even taking a look.
Something in the newspaper caught my attention the next afternoon: "Master-Mentor Ming Cheng of Shan Sui Temple died yesterday afternoon." His successor, the new master-mentor, was announced as Ming Jing. He, the person I had met last night, was hsown in the picture accompanying the news story, smiling radiantly at me.
昨天終於看了功夫。
可能是因為一開始把它定位在胡鬧的片子，所以看過之後反而有種難以言喻的驚喜。
一部沒有英雄的影片是無趣的，不論這位英雄是超人或只是平凡的小人物勇敢的面對生活的磨練。這一次周星馳個人的重心平均分擔到其它的演員，在生活中每個人都是自己的英雄，相信自己才能成就事業（對個人而言重要的事，不侷限於高位權重）。
一位拯救全世界的英雄… 最後還是要回到平凡的生活，拯救世界只是目標，家庭才是生活的重心–超人特攻隊不就證明了這一點。
異象化的電影世界 